We're so fast.
It's breathtaking, really, if you think back even ten years, to the advent of the iPhone. The internet was something to be checked on a few times a day, unless you happened to be sitting in front of a computer. Very few people were constantly plugged in. Now, it's the complete opposite. Read more at secondinversion.org
We're so fast.
If you’re a classically trained musician, chances are you can play a number of complex pieces on demand, by memory, you can look at a piece of music you’ve never seen before and decipher the symbols on the page in real time (sight reading), or at least you can rather quickly learn a piece and bring it to performance level. Are you, however, comfortable playing along with music you like on the non-classical station? Can you sit in with your friends and make up a tune, a countermelody, or catch the bass line the first time around... Read more at secondinversion.org
“It’s the same balance beam.”
The analogy my dad favored when it came to preparing for a performance was that of a gymnast at the Olympics. The beam is the same whether there are judges or not. The cello is the same, and the music the same, whether there is an audience or not. It’s something I’ve reminded myself of many times over the years, particularly when I used to do competitions as a student... Read more at secondinversion.org
Sitting in my seat on the flight to my first performance of the 16-17 season, I find myself reflecting on new beginnings. I’m a sucker for New Year’s Day and the first trip of the season is no different. Thinking back even further, I’ve always enjoyed the start of the semester as well. Fresh scenery, new classes and ways to learn, a structured environment after the laissez-faire chaos of summer… Read more at secondinversion.org.
On Tuesday, I’ll be joined on my chamber music series Town Music by Johnny Gandelsman, Arnaud Sussman, Kyle Armbrust, and Andrius Žlabys for a program of 20th and 21st Century works. We’ll present the world premiere of “Movement for String Quartet and Piano”, written by Andrius and commissioned by Town Hall Seattle. Andrius is a fantastic musician and a regular collaborator of mine, so I jumped at the chance to interview him over the phone about composing, performing, and his new piece. Read more at secondinversion.org.